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JMBarrie / E;lizabeth Smart's visit to JMB
« on: October 15, 2023, 05:23:48 PM »
Best known for her prose poem, “By Grand Central Station I sat down and wept“, Elizabeth Smart came from a wealthy Canadian family who visited England regularly. Elizabeth was 19 in 1933. Her favourite writers were D H Lawrence (she’d just finished “Lady Chatterley’s lover“ and declared it a work of genius), Katherine Mansfield, Virginia, Woolf – and J M  Barrie. She determined to meet Barrie when next in London, and managed to get a letter of introduction from a distinguished Canadian family friend, Bill Herridge. She wrote up her account of their meeting in her diary:

April 5 [1933]
I had nightmares all night that it would be after 12.30 when I woke up. Too late to go to Barrie! So I was up what I would call betimes though the sun was pouring in my window. I took a bath and put on my best clothes. I felt scared and elated by turns and inadequate and unspeachable by turns. Too late and too sudden - all unbeknownst and unprepared. …
I didn’t look very nice – still sleepy, and pale and hair too undisciplined - but O well – and I put on my new Worth coat and my hat – and left the flat in fear and elation – I thought I would walk a bit towards Hyde Park Corner to kill the time and wake me up.
The Sun was glorious. I hailed a taxi and gave the address.… We got to Adelphi Terrace and drove along it – but no Adelphi terrace House – we drove around the block – asked several people – and finally found it – just before you come to the terrace – on the corner going down. … In fear and trembling, I entered No 3. It looked a deserted place – a big bare stone or marble cold hall with firms’ names written up on the glass doors. I saw no flat names anyway, so I rang a bell that was labelled Housekeeper and asked which was James Barrie. She said “fourth floor“ in a very hardened voice – what was a mere  great man to the likes of her? And as there was no one to run the lift – which seemed automatic or self-lift – I avoided it and chose the stone stairs - up - up. And I was out of breath from fear and anticipation at the bottom, so I didn’t think I could bear the way my heart was dropping about to my tummy inside me – at the top. I saw a sturdy, small figure pass across inside – just a shadow through the translucent glass. I lay my music case down against the wall, took three breaths and with a trembling hand rang the bell.
A shortish-sturdy secretary, middle-aged but younger with an ordinary face, opened the door - and it opened right into a small, square room with windows. I said nothing, but raised my eyebrows in query, and he said “Miss Smart?“ And I said “Yes“ – feeling thankful towards him for helping me out. Then I didn’t feel scared, just apprehensive. The time has arrived but I was unprepared.
I followed the man into a big yellow room (on the right) whose windows look out over the Thames. It was beautifully used-looking and warm, with a big tall thing of used-looking and warm books on the left wall and a small old-fashioned piano of a yellowish colour in front of it – and it had all an air of books and papers and tobacco. Then the secretary announced me, and I shook hands with Barrie. He seemed to have small, stumpy hands, and for a minute I thought he was deformed – but No No. He had a big patch of iodine on his left cheek and he didn’t look as fragile as I expected him to. He was more the build of Ralph Strauss, but not so robust or cruel. He had those distinctive eyes small with pouches under them and they are sort of triangular because the flesh above them falls in a sort of tent. I think he had on a smoking coat.
On the right as I came in were books and non-descript things and a screen, and behind the screen was his big desk – and behind that an alcove – quite big with seats in it and it had a fireplace and a lower ceiling than anywhere else. It was all brown wood – oak? Something of that kind. It was all sunny and an open Times was lying across a stool. He walked up and down – sometimes with his back to me. He said he had forgotten who Mr Herridge was, but he was sure he must have liked him extremely from the tone of his (Barrie’s) letter. (I had sent it with my note.) He asked me who he was – he couldn’t remember him – couldn’t place him. I said, “I think you met him down at Lord Byngs – he was a lawyer and is now a diplomat. He gets on very well with people etc.” He said, “Oh yes, I remember in the garden. Lady Byng was very fond of gardening.“
We looked out of his window from where you can see the Thames actually bend and wind in the distance – and seven bridges crossing it. There is a big patch of green grass in front of Adelphi Terrace too. He said to me, “Do you mind if I smoke?“ and I said “No” emphatically. I sat on a little sofa under a window at the end of the room and he sat on the arm of the sofa and walked about the room smoking his pipe. He showed me Bedlam in the distance and said I was “obviously about sixteen.”He said, “Tell me something about yourself – what are you doing over here?“ I just said I was studying music. He then showed me his piano and said he was not musical in fact. I asked him – he couldn’t even play God Save the King. I said “Neither am I they tell me.”
He made conversation – about skiing – about the heat of London bringing out the trees and flowers sooner – about a girl’s school in the USA where they had asked him to give an address to 900 girls, and he said he couldn’t possibly give an address to 900 girls at once, but if he could be in a room and see each girl separately, he would give 900 speeches. “Unfortunately,“ he said, “they took me seriously and we’re actually starting to carry it out. However I escaped from that place just in time.”
He said Edinburgh was the most beautiful city in the world. He said he admired anyone who wanted an education and didn’t think it spoiled anyone. He thought girls that went were better to talk to. He said, “But a clever woman never lets on she is clever. Whenever you hear anyone say ‘That woman is clever’ you know that she is stupid. A clever woman doesn’t let you know.“
He said he had sent his sons. “They aren’t really my sons, but I educated them and brought them up“ to Eton and Oxford. He said “I never had a daughter, but if I had, I should like to keep her at home to pour out my tea for me, and I wouldn’t have this iodine all over my face if I had a woman around (except my housekeeper) to do it for me . But if she wanted to go I would send her.“ Oxford – Cambridge – Edinburgh – he didn’t seem to mind which. He said you couldn’t get a better man than his friend, Sir Arthur Quiller-Couch, and at Cambridge now they had a lot of swells.
He said university didn’t make any difference to writing – that just came out of yourself. Perhaps you wrote all wrong according to the rules – but that was your way and right for you.
I went, and he called me back just as I got to the bottom in the elevator and gave me Farewell Miss Julie and in it, then I left and waved but just as I got to the bottom again I remembered my music case and had to go up again.



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Peter Pan / My 1989 PP screenplay
« on: April 14, 2023, 07:56:57 PM »
While awaiting Disney's new offering of PP, I've just posted my own 1989 shot at bringing PP to the silver screen, originally commissioned by Francis Coppola. Oy veh ...

For some reason this site won't allow uploads bigger than 16MB, hence the 2-parter, with time for popcorn refills in the intermission.
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JMBarrie / Barrie's early newspaper articles
« on: April 05, 2023, 02:15:14 PM »
The observant may have noticed that I've started uploading some of Barrie's early - and mostly anonymous - contributions to newspapers, principally the St James's Gazette, the Edinburgh Evening Dispatch, and a few from the Nottingham Journal. Many of these I had xeroxed at the old Colindale Newspaper Library in 1976. They have now been transferred to the British Library and some are available on the British Newspaper Archive's website. Although the Nottingham Journal appears in their index, it actually brings up the Nottingham Daily Express! Unfortunately a number of articles in the Edinburgh Evening Dispatch have been cropped vertically so that half of every line is missing.

Herbert Garland, in his 1928 bibliography, gives a useful list of Barrie's articles with dates, but it is by no means complete; Barrie himself also occasionally jots down titles and dates at the end of his notebooks. So one way and t'other there's plenty to be getting along with, and by the time I've finished uploading, hopefully the BNA will have added the Nottingham Journal as well as the British Weekly, the Scots Observer and the many others to which JMB contributed ...
4
General topic / Restricted access to copyright material
« on: March 19, 2021, 04:00:00 PM »
In 2005, Hutchinsons published a biography of Barrie by Lisa Chaney, Hide-And-Seek With Angels: The Life of J.M. Barrie.

The Spectator’s review included the following:  “The central episode in Barrie’s life is his relationship with the Llewelyn Davies family. This, of course, has been the subject of a terrific book by Andrew Birkin, and Lisa Chaney’s own account so conspicuously comes to life only when she is covering the same ground that she needs to justify herself by criticising what she calls Birkin’s inaccuracy.”

I wrote to Hutchinsons at the time, pointing out the extent to which she had pillaged not only my book but this website, as well as regurgitating my text and many of my observations. Although she credited a few of her quotes from the book in her extensive sources, the vast majority went uncredited. Moreover she quoted from audio clips – and reproduced photos – from this website with no credit whatsoever. As for her acknowledgements, she lumped my book in with half a dozen other books on Barrie, commenting merely that mine was “useful” but “one must be wary of the inaccuracy of his quotes from sources such as Barrie’s notebooks” – this from an author who didn’t even bother to go back to the original notebooks herself but merely quoted my extracts (including ellipses where I’d left words out) without ever once citing any inaccuracies!

I received a fulsome apology from Hutchinsons at the time, assuring me that the numerous quotes I listed would be cited in her End Notes in all future editions, and that an "erratum slip" would be inserted in all hardback first editions of the book, reading:
 
"The author acknowledges her use in Hide-and-Seek with Angels of Andrew Birkin's J M Barrie and the Lost Boys (Yale University Press, 2003) and of his website, jmbarrie.co.uk."
 
Lisa Chaney’s book is now available on Kindle (as is Denis Mackail’s and mine). It appears to be a scan of her first edition, without any acknowledgement of the material taken from this website, nor corrections, nor the text of the erratum slip, nor any further citations in her End Notes. Nor, indeed, does it correct any of the clumsy mistakes I pointed out to Hutchinson’s in 2005, e.g. the last line of her book - "Nico died in 1986" - when in fact he died in 1980. In short, the Kindle version is without any of the corrections I was assured would be made to all future editions. I wrote to Hutchinsons some weeks ago, who politely passed the buck on to Chaney’s new publishers, Arrow Books. Thus far I have not heard back from them.

When I first started this website in 1998, I was well aware that writers might want to make use of the large amount of original source material in the database – indeed I hoped as much – but I also asked that they would give credit to this website as their source. Latterly, Piers Dudgeon has written two books that also draw extensively on material that can only be found on this site, but at least he says as much in his Introduction and Acknowledgements, although he too fails to cite it as the source for individual quotes within the main text in the vast majority of instances.

For this reason we are suspending much of the original source material contained in the database that is still in copyright, in particular, Peter’s Morgue, and Nico’s correspondence. Should anyone wish access to this material, they should make a specific request to Dear Brutus or myself.

I'm truly sorry to have to do this, but it seems that certain professional writers are not above unscrupulous behaviour - which is a pity: all we ever asked for was acknowledgement.

====

Update: I've only just laid my hands on the paperback version of Chaney's biography, and indeed all the corrections/citations appear to have been done, so my only gripe is with the Kindle version ...

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JMBarrie / Lillah McCarthy on Barrie
« on: February 28, 2021, 11:14:01 AM »
Here's a rather wonderful sketch of Barrie which I only just found, by the actress Lillah McCarthy, from her 1933 memoir, "Myself and My Friends":

What visions have poets seen which they have never told? Yet perhaps they do tell them – though not in words. How else to understand why it is that men like Hardy, Masefield and Barrie appear to those who know them greater even than their works?
They are transfigured by the vision. They irradiate us with its light. It must be so. I have sat with Barrie night after night in his flat high up over the Thames by Adelphi Terrace. He sits tucked up in his chair, puffing at his pipe, absorbed, silent. Now he stirs a little as though about to speak; but does not. Yet a great peace broods over this communion of silence. Now perhaps a word or two: sentences as short as in his plays – consummate master of compression that he is – a kind word, a whimsical word, never once in all the years we have sat and kept silence together has Barrie uttered an unworthy or an unkind thought. Only poets know such reticence. Barrie can talk well when he likes; he can encourage by what he says, but most by that strange gift he has – not of telling you but of making you feel his sympathy. Silence with Barrie is no empty silence. It is eloquent. He can be silent in many languages. His silence can freeze, but it can also thaw a heart which is numb. Wizard of words, no doubt, but owner of that more occult wizardry – expressive silence.
Yet silence is by no means always golden. It was from no malicious wish to see the effect of one’s silence on the other’s shyness that I arranged one evening a meeting between Barrie and Masefield. We went to Barrie’s flat after my work at the theatre was over. I introduced Masefield. They exchanged a word or two. Silence. Another word or two: another silence: the rest was silence. Good-will and mutual regard were there; but it was just like that. I must scream or run away. I ran; we all ran and trailed home along Adelphi Terrace without ever a word.
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Peter Pan / Punch's review for the 1905/06 1st revival
« on: December 20, 2020, 08:03:56 PM »
Years ago I was lucky enough to buy a complete run of Punch, from the very first issue in 1842 right up to 1958. I was glancing through the volume for 1906 when I spotted a full page review for the first 1905/06 revival of "Peter Pan, written by "O.S." which I take to have been Owen Seaman.
I can't say I agree with him, particularly his dislike of sentiment oscillating with humour, but let me not bias the opinion of others. I O.S.'s favourite line = "a cry of the heart the most appealing in all of the play - Peter Pan's "Come away, Tink: we don't want any silly mothers." I can't find that line in any of the surviving versions of the play, can you?
Just search for "Punch 1906" in the database ...
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Peter Pan / Pauline Chase's "My Reminiscences of Peter Pan"
« on: November 22, 2020, 02:27:55 PM »
I thought this long and excellent article (the naff pen drawings of Barrie notwithstanding) had been uploaded years ago , but apparently not, so my apologies, but here it is at last - just search for "My Reminiscences of Peter Pan" in the database documents ...
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Boy Castaways / Boy Castaways uploaded complete
« on: October 09, 2020, 11:03:28 PM »
The Boy Castaways has now been uploaded complete, without any watermarks, as well as all the photographs we have from “that terrible summer” - just click on the tag ...
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Davies Family / JMB's letters to George ...
« on: September 06, 2020, 03:20:15 PM »
I've finally started uploading all of Barrie's letters to George Llewelyn Davies that survive - some of the finest that he ever wrote to anyone, though we'll never know about the ones written to Michael. Peter included many of these JMB-George letters in his Morgue, together with his illuminating comments. However Nico had a number of others that must have passed Peter by; these are presumably now in the Beinecke collection, but before giving them to GOSH, I scanned them all. Deciphering Barrie's handwriting prior to 1917 (when he switched from right to left) is never easy, and where I couldn't read a word I've put [???] - so if anyone out there can do better than me, please feel free to add your best-guess in the comments window.

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JMBarrie / Barrie's Notebooks
« on: January 29, 2020, 04:16:26 PM »
I'm gradually uploading my 1976 selected transcripts from Barrie's notebooks. I say selected because I was initially only looking for good lines that I might be able to fillet into my Lost Boys scripts, but I became so engrossed and intrigued that I found it hard to resist typing up more and more, particularly as I became increasingly familiar with his scrawl. The notes are IMHO among his most pleasurable writings, a wonderful mix of canny observations, witticisms, characters and storylines. Of course those familiar with Barrie's novels and plays will derive additional pleasure in spotting their gradual evolution, but even if you've never read a single line of his other than Peter Pan, these notes are a treasure-trove of delights ...
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Davies Family / Mary Hodgson
« on: December 02, 2019, 02:08:30 PM »
For those interested in knowing a little more about Mary Hodgson, here's a brief account written at my request by her niece, Mary Hill, in 1976:

Mary Hodgson (Dadge to her family) was born on 16 October 1875 and died in December 1962. She was the fifth daughter and eighth child of Thomas and Mary Hodgson (Wilson) of K[irby] Lonsdale, Westmoreland. Thomas was a stonemason and sculptor of lettering on memorials. He died at the age of 42, leaving a widow with eight children. The two eldest had died in infancy.
Any plans for the future of the younger children had to be abandoned, my grandmother insisting that there was to be no favouritism.
My aunt could remember little of her father, and all her life had a very close attachment with her mother, as did all the family. In Mary's case, particularly so, for throughout her life, when in doubt she turned to her mother for advice.
The eldest brother emigrated to Australia and was later joined by a younger one. My aunt was corresponding with the family until her death.
On leaving the local school, she went as nursemaid in the family of Maurice Llewelyn Davies, and after five years became under-nurse and then nurse in the family of Arthur, the youngest brother. At this time the Rev Llewelyn Davies was the vicar of K. Lonsdale; my grandfather had been a sidesman at his church and the boys in the family were all choristers.
At the time she joined the Arthur Llewelyn Davies family there were three boys, George (who lost his life in the early part of the 1914-18 war) Jack and Peter, to be followed by Michael and Nicolas.
It was Grandma du Maurier, the boys’ maternal grandmother, who introduced my aunt to the family library and advised her on what books to read. My aunt's expression was that she was “taken under her wing". At one point in her time off, she became involved in a meeting addressed by Mrs Pankhurst. This did not meet with Mrs du Maurier's approval, or my grandmother’s.
The early and tragic death of the boys’ father shocked her deeply, and when it was followed by the mother's death, she was deeply distressed.
When the boys were quite small, JMB came into the picture and walks with the children in Kensington Gardens less pleasurable. She did not like her charges being taken over by a strange little man. Later she came to look upon him as an intrusion in the life of the family, and this she met with disapproval.
When it was made known that JMB had been made the children's guardian, she was very upset. She had taken it that the guardianship would be in the family.
She now was not only the children's nurse, but was also in charge of the complete household, including staff, and responsible to JMB. This latter she did not enjoy. The thing that she disapproved of most of all was the subsequent divided loyalties forced upon the boys, JMB fulfilling their every wish, every request been granted. This she considered was a bad thing. Boys should find life a challenge and be trained to meet it. To be given everything was not accepted as a character building effort.
Naturally, as Nicolas was the youngest member of the family and "my baby", she was particularly attached to him, and he to her. Eventually the time arrived when she considered that the boys should be handed over to the sole charge of JMB, and this was done. Nevertheless, she joined in their holidays, being once again responsible for the organisation of the household and for the family and their guests. Organisation it had to be, especially when the house taken by JMB was out in the wilds of Scotland.
Mrs Churchill's mother had always been a welcome guest at the Llewelyn Davies family and in the nursery, and at the time when JMB took over the boys, this was put to good use. Through JMB and at his suggestion, contact was made with Winston Churchill – my aunt had decided that she should go into the munitions factory and help to win the [First World] war. This was not possible as in a personal letter to my aunt, he stated that in the factories he required big strong women, and to train others was a waste of time and effort. My aunt was certainly not big and strong in that sense.
Now she applied to Queen Charlotte’s, to train as a pupil midwife. Here she was again in difficulty – she was 40 years of age, and her years as a children's nurse were considered a handicap rather than an asset. Determination was called for, and eventually she was accepted.
In 1916 the fees for training were demanding on her purse: £35 for a six month course for pupil midwives, £25 for a twelve month course – a limited number only. £1 registration fee.
That her daughter should take up midwifery was an affront to my grandmother, who considered that married women, widows, and possibly wives of clergyman should be in this occupation. This distressed my aunt greatly, because my grandmother refused to take any interest in her work for a very long time. It was not until a Kirby Lonsdale woman died in childbirth, in circumstances that were beyond my grandmother's comprehension and that my aunt could explain, that the situation was eased.
When at Queen Charlotte’s, my aunt had worked mostly in the very poor areas when on the district and had a great admiration for her "ladies" as she called them. Their courage and the camaraderie of the people always amazed her. In her experience she found that whatever was missing from home that was an absolute necessity could always be willingly provided by a neighbour, be it pail, or kettle of boiling water or even clean newspaper. Very occasionally after a “misunderstanding” with a neighbour, it was essential that the request was made by the midwife in person. She also learned that there were areas in London where on a “night-call” her uniform was considered a safe entry, more so than a police escort. On asking a policeman for escort in a particularly down and out area, her reply was – you'll be better without me.
After some time at Queen Charlotte’s, she was asked by two of her friends there to go into partnership in a nursing home, the greater part of the financing of it to be taken over by the two friends in the initial stages. This they did and the nursing home [at] 17 Balcombe Street was in the names of MacAndrew, Heron and Hodgson. The nursing home was in some way connected with the local council. There were always pupil-nurses in training there, by arrangement with the council.
The Second World War was at hand and 17 Balcombe St. was on the list for evacuation. This was done with reluctance, and after some delay. Eventually the police would wait no longer and many journeys were made by bus and ambulance to take the patients to safety. The work completed, the friends separated. Almost immediately the home suffered bomb damage and Miss Heron, the youngest partner travelled to Balcombe St. to see what damage been done. Before she could achieve this, the house was hit by an oil-bomb and almost everything was lost, my aunt having the least to lose. The one loss that distressed her the most of all was an under-the-bed wardrobe – and the article in it that caused her such grief was a dress – unworn – that had been made for her. The reason she had not worn it was a set of unusual circumstances at the home that made it impossible for her to attend the wedding of Nicholas, except in her nurse’s uniform. When I expressed surprise that she had been allowed into the service by the usher, her reply was – They knew me, I just slipped in and out and no one was the wiser.
My aunt then went to live at Halkyn, North Wales, sharing a cottage with her two sisters, which they had purchased for retirement some years earlier. Miss MacAndrew of the Balcombe St. partnership was to join her there and she died there.
My aunt eventually sold the cottage and lived with her youngest brother and his family in Morecambe. On his death she came to my home in Leeds. My two daughters loved her very much and spent many happy hours in her company. Her stories of the Llewelyn Davies family and especially her own childhood days always fascinated them.
To open Helen Bradley's "And Miss Carter Wore Pink" is to see absolute corroboration of the stories she told. The funeral scene is almost word for word.
My aunt's favourite reading, having daily perused the Daily Telegraph and Yorkshire Post was a Book of Friendship given to her by Emily du Maurier in 1909 and the Epistles of St Paul.
She expressed great admiration for (1) Sylvester Horne, the father of Kenneth Horne - she attended many of his services. (2) For General [William] Booth [founder of the Salvation Army] and his sister, for their devotion to the poor. (3) Dr Rendel, who attended the [Llewelyn Davies] family. (4) Dr Alex Bourne at Queen Charlotte’s, and for Dr Roche Lyne, the pathologist.
I am of the opinion that the "Hudson Back Walk" mentioned by my sister Joan was a legacy from walks in Kensington Gardens.

*****
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Davies Family / Jack's letters to Gerrie
« on: November 20, 2019, 12:12:30 PM »
In slowly sorting through my mass of research material with a view to uploading the best of it to the new website, I came across my transcriptions of Jack's early letters to (his later wife) Gerrie. When I visited Gerrie in Cornwall in 1976, she lent me a whole stash of his letters, but I only had time to read through the ones prior to their marriage before returning them. The extracts I made were not at that stage for my book - I hadn't even thought of writing one - but for my TV trilogy, The Lost Boys, hence some were with a view to utilising Jack's wonderfully period language as dialogue, as well as touching on his character - and his attitude towards Barrie.

I imagine that when Gerrie died, her grand-daughter Henrietta would have inherited all the original letters, but what became of them after Henrietta's death I know not.

All these letters were written aboard H.M.S. Octavia, based in the Firth of Forth, addressed to Miss Gerrie Gibb at 7 Western Terrace, Edinburgh. Most of the envelopes were stamped "Passed by Censor", though some were evidently delivered by hand. In all his letters, Jack signs himself 'John', not 'Jack'.


19 March 1917:

Gerrie dear, you really are a very sweet person to forgive me as you have. … I suppose there are occasions when one goes slightly mad & does things like that. But honestly, I never dreamt it would distress you so much. I know you said "Forget it all" but I simply couldn't let it go without one word more of very abject apology. Honest Injun Gerrie, I am very very sorry & I'll never do it again.


21 March 1917:

Did you get my letter all right? I nearly forgot to post it, I was so bucked by what you told me. … It was so utterly beastly at sea today. I haven't been so sick and miserable for ages. I don't believe I'll ever get over being seasick.


22 March 1917:

I hope you've been really mad in your letter & will be even madder in the next one. I hate serious people. Life's far too short to worry. The Captain tries to make me serious sometimes. Grizly failure. […] Will you go and have yourself photographed & tell them to send me the bill as you say you're broke? I simply must have one or two, otherwise with all this going to sea I might forget whether you're lovely or merely pretty! Wouldn't that be awful? […] I loathe the Navy & all that therein is, when it keeps me away from you. […]  One thing, we're pretty certain to get Sunday off. That's a damnably long time, isn't it? Still, war is war, and the sooner it's over the better I'll be pleased. I loathe it more every day, don't you?


25 March 1917:

I can honestly hardly believe my stupendous luck. Fancy being engaged to you! […] By the way, in your letter you say you're not worth it. Don't say that again, darling, it's such hopeless rot when you come to think of it. You not worth it! Ye Gods, then who is? Answer me that, Madame! […] Tonight at dinner we're going to break a bottle to the future Mrs Davies. (Note the 'e' in Davies! You've been leaving it out!) [...] Je t'adore ma mie saperlipopette* comme je t'adore! (* Good word that) But even French, the most adorable of all languages, is no use. There's no language Gerrie that has ever been invented that really gives one a chance of expressing oneself. I just want to be with you and holding onto you & the words aren't necessary. Nothing's necessary but you. Are you happy, my best beloved? Cause l am nearly delirious with sheer unadulterated joy. Nothing else matters. England, Scotland, Czar or Spud – they can all go hang, and you’re still mine. Let the Germans win – you’re mine. Let the ship go down - I should be alright – you’re mine. Let Bottomley be Prime Minister (and that really would be the end of the world) – you’re mine. By Jove, I just can't get over it! […] Your very good health has been drunk in bubbly & your man is feeling a bit tipsy! Fizz always makes me feel rather dazed! […]
Why on earth a wonderful person like you should see fit to be kind to a bloke like me beats me all of a heap. Still, you do! You are a child Gerrie aren't you. 19 - ye heavens, what an absurd age! You make me feel 40.  [...]
I think the prospect of being with you tomorrow seems rosy. It's a deadly game being photographed. There's a heaven-sent place in town - the Gainsborough Studios in Oxford Street - that I've always been taken at, where they don't say 'smile' & then paint out what they don’t like in it. […]
I cannot see the point of being engaged for years & years can you? It seems such unutterable waste of very good time. Perhaps (your word is law) you think otherwise in which case yours so very humbly has only to be told. But, bien aimée, & these loathsome details have to be faced, my Guardian has to be talked to gently on the everlasting question of dibs. Lord but it is unseemly to mix up filthy lucre in a question of any sort, but it has to be done, doesn't it, & knowing the dear little man as well as I do this sort of question has somewhat naturally never cropped up before & I'm hanged if I know what he'll say. He's infernally wealthy himself but knows me - or rather knew me before I met you - & so knows my wonderful incapacity for keeping money. Still I shall see him this next visit to town & as I know so well he's one of God's own I have the highest hopes. Of course it's been done before now on far less than it's my luck to have now but - the more the merrier! Thank heavens I've got that off my chest to you. I'm still so shy of you Gerrie & there's always something horrible to me in pounds shillings & pence. […]
You're my sweetheart Gerrie. Do you realise that? I think sweetheart the prettiest word we poor English have ever thought of. I don't think many people do. Most people associate it with 'Arry and 'Arriet. It's awfully hackneyed & made a bêtise of I know, but it's a delicious word. […]
We've a house in London that no one lives in now as we're all away, but you'll simply revel in it. It's quite small but my mother did it all & it's most wonderful inside. Personally I couldn't wish for anything more heavenly and I'm perfectly certain you'll fall down and worship too. It's near Notting Hill Gate - do you know it? - to me one of the most attractive places in London. Guardy lives in a beautiful flat just off the Strand looking over the one & only river, but I'd sooner be in our house. I wonder will it be OURS one day? As a sailor one has such a mighty small use for a house in London - still it's for one of the family Davies so why not us? Do you mind being family Davies, Gerrie? The family will fight for you if I know anything of them. My particular pal is Nicholas - the youngest whose smile you liked in my cabin. He's a bird & will ask to take you straight to his heart. George, John, Peter, Michael & Nicholas, we're all saints. Poor old George was killed in France. He was a wonderful person. That really was a case of "They whom the Gods love." Peter is one of God's own. Michael is at present rather trying, but he'll get over it. Just 16 & full of Eton you know, but withal a good fellow, & Nico. He'll never be trying. Forgive all this about my family Gerrie, but I know so well you won't mind. Mother you really would have adored. Everyone did. Father died when I was 12 & Mother never really got better. They were wonderful people, I suppose really rather too perfect to go on. But I should so have loved to go to Mother & say, "Here's a daughter for you at last." She always longed for a daughter but never had one. She was so lovely herself that it seems a great pity she hadn't a daughter like her. There are so very few people darling I can ever talk to about this sort of thing that I know you'll forgive me.


26 March 1917:

I'm so anxious about my poor dear soul who's going to have a baby. .... She always used to write practically every other day so I fear me she must be very bad. You'd love her Gerrie no mistake about that. I've often heard it put down as fatal to praise one woman to another, but I fancy I know my Gerrie. And this woman has been amazingly good to me always you see. I can't possibly help loving her in quite a different way. Once I thought it was in the one & only really important way & told her so which was rotten of me. But she was heavenly about it & pointed out what a pity it was we couldn't go on in the same jolly good friendship & I saw the error of my ways. […]
Yes, pen & ink is the only possible outlet for silent people like you and me. I too find myself extraordinarily tongue-tied. Come to think of it I never even kissed you today. I do so hope that didn't worry you beloved, but I'm not a great hand at it & I'm so stupidly & superbly happy anyhow, & I'm really kissing you all the time in spirit. [...] Feeble thing life was before I met you. Lord how I do realise that now, although bar one or two tragedies, my life has been a very happy one. […] Ye Gods, but it's a grizly thought! [...]
This is a case of 'Till Death us do part' & personally I feel mighty certain the old fellow has no use for us two for centuries yet. He's an obliging old Devil if you really are quite firm with him & shew him he's not wanted. He has no terrors for me personally. If one has to die one has to die and there's an end of it. You see I'm rather a fatalist Gerrie - it's the only possible thing I think & I've more or less cultivated it for years now. Specially in wartime one must be when you hear of all your pals being killed right, left and centre.
Personally I find the Navy a very safe job here. It had its dangerous moments in the Dardanelles, but seems to have none here. They'll never come out to fight us again I don't think, & if they do then yours truly is hot-foot after a medal to present to his Gerrie. But I’m not one of those brave people I'm afraid. Quite ordinary. Quite frankly it frightens me to be shot at, and personally I think it does 99% of blokes. Anyone who says he likes it is either a liar or a freak. I imagine I can bear it as well as most, but it makes my knees very weak. I've seen whole rows of men - proven brave men - Anzacs - ducking like one man - including me - at the whistle of a shell overhead. It was really very comic. You see in the Army you can usually get behind something, but in a destroyer one's only cover is one's uniform which at times seems abnormally thin. However I've meandered off into talking sense, & this will never do! […] I usually have been a lucky sort of bird, but this caps everything! […] If I thought it would hurt you to see me smoking then I'd chuck the lot sooner than go on, but please allow me a few Gerrie. […]
Four days more & I shall see you every day. And pray the Gods by that time properly & openly engaged to you. I don't mean that properly, though. You're engaged to me now, no matter what anyone says, aren't you, bien-aimée? No-one on earth can possibly stop that!

 
27 March 1917:

Personally I don't care a tinker's curse who sees or what they think or know or anything [about their engagement], but I suppose I ought to wait till I've asked your father. And I'm waiting for that till I know how I stand with Guardy. […] I always said in those humorous days before I met you (!) that my wife must dance and play the piano.


28 March
I've been thinking over my proposal to you. It really was a wonderful effort - so was your saying "Yes." I don't mind betting not a soul in the place realised that one of the most wonderful things that has ever happened took place then. Do you know darling I really expected you to say "No," & that I had been far too quick with you. […] Are you happy darling to know that someday you'll be Mrs John Llewelyn Davies herself. To me it's so wonderful I'm beaten all of a heap!



[more to follow]
13
Davies Family / Peter's notes on Michael
« on: September 16, 2019, 12:11:02 PM »
I've just added Peter's notes on Michael to the database, which Peter must have made prior to embarking on "Some Davies Letters and Papers" (aka The Morgue) in 1946. If anyone can read the (to me) illegible words, please let us know. Here's my transcription:

M[ichael]. Cleverest. Misery at Eton. Pop XI Field. Scholarship [decreased?]. Influence of JMB over him and vice versa. Strong likeness early photographs of Father. Spoilt - came out all right. Oxford. Poems. Better than much in the anthologies. Boothby stayed with him one night a fortnight before his death. No sign of melancholy. Deep sense of family loss. Hugh Macnaghten - He's all right now. (Shades of Uncle Harry). Friendship with [admirable? adorable??] Rupert Buxton. Death at {left blank}. Body in morgue. Cause unknown. R. a better swimmer than M. hence theory of R. trying to save him. Quite unproved. Some belief in suicide. Perfectly possible but entirely unproven. Last [point?] blow to J.M.B.; never so close to any of the 3 survivors as to the dead ones. [Step?] [mother?] story [supervenes?]. La vie est vaine. [Life is futile]
14
Peter Pan / Barrie's 1903 "Fairy" notes for Peter Pan
« on: September 14, 2019, 05:56:07 PM »
Transcribed and uploaded at last: Barrie's first 466 "Fairy" notes (believed lost for 60 years!) for the play that was to become Peter Pan. I've written a longish introduction, so I won't waffle on here, except to say that I believe them to be essential reading to anyone interested in the evolution of "that terrible masterpiece".

Pour yourself a glass of whatever, search for "fairy notes" in the database - and marvel!
15
Davies Family / George and Mrs Anthony Hope ...
« on: September 13, 2019, 11:42:22 AM »
You may remember that during Barrie's lavish holiday at Amhuinnsuidh Castle in the Outer Hebrides in the summer of 1912, George took a shine to the wife of the writer Sir Anthony Hope, aka Betty Hawkins. Peter speculated in his Morgue, "not that their dalliance amounted to anything ..."  but George's great friend Sir Roger Chance told us a different story when we visited him in 1976. I just found the tape, and will upload it by and by, but for the moment you can savour a bit of tittle-tattle by searching for "George Anthony Hope" in the database ...
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